Thursday 26 May 2016

YAKUZA APOCALYPSE

CONTAINS SPOILERS AND WHAAA...?

It's that man again! Takashi Miike is the dictionary definition of the word "variable", ricocheting between taut, involving films like Audition and wild, unrestrained mayhem like Ichi The Killer. When he's good, he's very good, but when he's bad he's Gozu: he's really at his best when controlled (there's no room for insane levels of violence in a samurai movie like Hara-Kiri or 13 Assassins, and the formulaic supernatural J-Horror of One Missed Call doesn't sit well with the Daily Mail Checklist Of Filth from Visitor Q) and it's sad to report that after last year's Over Your Dead Body that he's now back to his usual bonkersness.

Yakuza Apocalypse does at least start out looking like it might deliver what's promised by the title: there's a good and socially conscious gang boss, his minions who keep forgetting to leave the civilians alone, and the new kid in the outfit. But then a couple of killers show up and kill the boss: not just killing him but actually ripping his head off his shoulders....okay, that's unusual but it is a Takashi Miike film so we'll go with it. Then the head comes to life and bites the new kid, revealing him to be a vampire who has now taken over the new kid to raise an army of the undead and take his revenge. And then a bloke in a football team's giant frog mascot costume turns up with phenomenal martial arts skills and the ability to telepathically freeze his opponents and that's the point at which I lost interest.

It's not just the lack of control and restraint that kills it stone dead, though. Unless you're the equivalent of a Coppola or a Scorsese or a Woo at the very peak of your craft, it's very difficult to make criminal gangs into interesting people that an audience is going to give a damn about, and Takashi Miike clearly has no interest in whether anyone cares about his characters. The female characters, what few there are, are largely sidelined as well, because Takashi Miike clearly has no interest in them either. Not that it matters very much once it turns into a vampire movie with a high-kicking nine-foot candlewick frog.

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